Sinopsis
27.08.
Forte Mare
Mreža festivala Jadranske regije / Network of the Festivals in the Adriatic region
21:00
CRNI NOVAC ZA BIJELE NOĆI / BLACK MONEY FOR WHITE NIGHTS
Zemlja / Country: Bugarska, Grčka / Bulgaria, Greece
Godina / Year: 2026.
Trajanje / Runtime: 94’
Produkcija / Production: Abraxas Film, Graal S.A. (Graal Films)
Reditelji / Director: Kristina Grozeva i Petar Valchanov
Scenario / Screenplay: Kristina Grozeva, Petar Valchanov, Decho Taralezhkov
Producenti / Producers: Kristina Grozeva, Petar Valchanov
Koproducenti: Konstantina Stavrianou, Irini Vougioukalou
Direktor fotografije / Cinematography: Alexandrer Stanishev
Montaža / Editing: Yorgos Mavropsaridis
Scenografija / Production design: Ivelina Mineva
Umjetnički direktor/ Art Director: Ivelina Mineva
Kostimi / Costumes: Ivelina Mineva
Muzika / Music: Teodore Oikonomou
Uloge / Cast: Tanya Shahova, Ivan Savov, Margita Gosheva, Ivan Barnev, Sibila Petrova
Sinopsis / Synopsis:
Bračni par srednjih godina gubi životnu ušteđevinu u turističkoj prevari. Pokušaj dapovrate novac otkriva stare izdaje i laži na kojima je počivao njihov zajednički život.
A middle-aged married couple loses their life savings in a travel scam. Their attempt to recover the money uncovers old betrayals and lies on which their life together was built. (2023). Black money for white nights je njihov najnoviji dugometražni film.
O rediteljima / Directors’ bios:
Kristina Grozeva i Petar Valchanov su bugarski rediteljski i scenaristički tandem poznat po društveno angažovanim dramama koje spajaju crni humor i realizam. Među njihovim najpoznatijim filmovima su: The lesson (2014), Glory (2016), The father (2019) i Triumph
Kristina Grozeva and Petar Valchanov are a Bulgarian directing and screenwriting duo known for their socially engaged dramas that blend dark humour with realism. Their best-known films include: The lesson (2014), Glory (2016), The father (2019) and Triumph (2023). Black money for white nights is their latest feature film.
23:00
Mreža festivala Jadranske regije / Network of the Festivals in the Adriatic region
VIDIM SAMO LIJEPE STVARI / ONLY BEAUTIFUL THINGS TO LOOK AT
Zemlja / Country: Slovačka, Češka, Mađarska / Slovakia, Czech Republic, Hungary
Godina / Year: 2026.
Trajanje / Runtime: 88’
Produkcija / Production: Punkchart Films, negative Film Productions, Proton Cinema, Rozhlasa
Television Slovakia, Czech Television – Česká Televize
Reditelj / Director: Ivan Ostrochovský
Scenario / Screenplay: Ivan Ostrochovský, Marek Leščák
Producenti / Producers: Ivan Ostrochovský, Albert Malinovský, Katarína Tomková
Koproducenti / Pavel Strand, Petr Oukropec
Direktor fotografije / Cinematography: Juraj Chlpík
Montaža / Editing: Martin Malo, Josef Krajbich
Scenografija / Production design: Csaba Lodi
Muzika / Music: Michal Novinski
Uloge / Cast: Anna Geislerová, Simona Boledovičová, Eva Mores, Vlad Ivanov, Eva Bandor,
Attila Mokos
Sinopsis / Synopsis:
U Čehoslovačkoj sredinom 1980-ih doktorka Ingrid suočava se sa poljedicama sistema koji je zadirao u najintimnije aspekte života građana. Neočekivano prijateljstvo sa romskom bolničarkom Agatom otvara pitanje odgovornosti, predrasuda i ljudskog dostojanstva.
In Czechoslovakia in the mid-1980s, doctor Ingrid faces the consequences of a system that intruded into the most intimate aspects of citizens’ lives. An unexpected friendship with a Roma nurse, Agata, raises questions of responsibility, prejudice, and human dignity.
O reditelju / Director’s bio:
Ivan Ostrochovský (1972) je slovački reditelj, scenarista i producent poznat po filmovima koji obrađuju složene društvene i istorijske teme kroz snažan vizuelni izraz i pažljivo oblikovane likove. Njegovi filmovi Koza i Servants prikazani su na značajnim filmskim festivalima. U filmu Only beautiful things to look at bavi se nasljeđem prisilne sterilizacije Romkinja u Čehoslovačkoj, istražujući posljedice sistema i pitanje lične odgovornosti.
Ivan Ostrochovský (1972) is a Slovak director, screenwriter, and producer known for films that explore complex social and historical themes through a strong visual style and carefully developed characters. His films Koza and Servants have been screened at major international film festivals. In Only beautiful things to look at, he addresses the legacy of forced sterilization
of Roma women in Czechoslovakia, exploring the consequences of systemic oppression and the
question of personal responsibility.
